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I've done some research and updated the best alternatives to Final Cut Pro for Windows listed below. There are so many free video editing software for Windows, so if you are looking for a video editing software similar to Final Cut Pro for your Windows PC, you’re in the right place. However, Final Cut Pro X is only designed for Mac users and requires a Mac with macOS 10.13.6 or later, you can’t download and use Final Cut Pro on Windows, what's more, Final Cut Pro X will cost $300. Typical, Final Cut Pro features all the tools that you need to edit and deliver videos from start to end. It allows you to edit video and audio, do advanced color grading, create and edit closed captions, and much more. (In other words, avoid the sky, light through windows or overexposed sections of your image.Final Cut Pro (now the Final Cut Pro X) is a powerful video editing software in post-production for Mac users. Be sure to select something that is not over-exposed and blooming. If you have FCP X, watch this episode.Ĭlick the eyedropper on something that should be white in the image, in this case, I used the white paper on the desk. I’ve created several webinars that cover this topic. You have the greatest latitude when you color correct on mid-tone gray. The closer you get to pure white and pure black, the less room you have for color correction. However, after studying this for a few years, Andrew is exactly right. When I first wrote this article, I found it easier to color correct on whites. Now that the black and white levels are set (and, by the way, it helps to set them in this order), it’s time to get the colors right.Ĭhange the scope to “Vectorscope,” and click the eyedropper in the Color Corrector next to the far right circle, labeled “Whites.” Use this to select the color in the image you want to adjust to make white.Īndrew Balis prefers to color-correct on mid-grays. A yellow icon means your white levels are too hot.įor me, I find where the yellow checkmark disappears, then lower the white level by four clicks. To help make sure your settings are correct, go to View > Range Check > Excess Luma (Control+Z) and make sure the checkmark symbol in the Canvas stays green. Remember, move gently - don’t just grab and drag the slider! Now, click the white level arrows to adjust the white levels so they are just at 100%. If you are outputting to Betacam for broadcast, your capture card will raise digital black to the broadcast standard of 7.5 IRE.) (Digital black levels always set to zero. Bringing black levels down helps make an image look richer and more vibrant. In this example, the black levels are too high, so click the left black level arrow under the Blacks color wheel to bring down the black levels so they are sitting right at 0%. This opens the video scopes window and arranges everything so you can see the scopes, Timeline, Viewer and Canvas on one screen. Go to Window > Arrange > Color Correction. However you decide to select it, the three distinctivecolor wheels that appear represent - from left to right - the black, mid-gray and white color ranges of your image. Plus, it works in real-time on most systems.)ĭouble click the clip to load it into the Viewer.Įither click the Filters tab in the Viewer, then click the Visual button to display the Color Corrector 3-way filter - or click the Color Corrector tab in the Viewer. (This is the only color correction filter that works in YUV color space, so it’s the preferred filter to use for video. To fix, this, we apply the Color Corrector 3-way filter to the clip. This one, from “Getting Ready to Fly”, has a scene which is too yellow. Let’s see what this looks like in practice. (Using mid-tones is better, but they are harder to find.) Color balance the whites using the eyedropper tool.Adjust the white levels equal to or less than 100.Select Window > Arrange > Color Correction.Double-click clip to load it into the Viewer and click the Color Corrector 3-way tab at the top of the Viewer.Apply the Color-Corrector 3-way filter to the clip.Put your playhead in the clip you want to color correct and select the clip.It isn’t perfect, but its a WHOLE lot better than doing nothing. While there are a number of great articles on the subject, here’s a seven-step quick way to improve your color. Here’s the challenge: you need to color-correct a scene in Final Cut and you don’t have a lot of time or experience. Images and including comments from Andrew Balis. [ This article was first published in the June, 2004, edition of